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. Ø 11–4.2cm, H 4cm π—™π—Ήπ˜‚π—Ίπ—―π—Ήπ—² π—¦π—²π—Ώπ—Άπ—²π˜€ : 𝗔 𝗣𝗢𝗻𝗰𝗡 π—•π—Όπ˜„π—Ή Flumble blends the softness of fluff with the fragility of crumble. Inspired by the feeling of a tuft gently falling apart between fingers, the line explores how d
. Today, I had the chance to meet a ceramic artist who studied pottery in Korea and has spent many years in Brisbane, sharing her craft as a teacher. I also came across a video that thoughtfully explored the importance of connection and camaraderie a
. After learning to pull a balanced cylinder from the base up, many Korean pottery classes move on to moon jars. At first it seems a popular choice but its value soon becomes clear. It’s both a symbol of Korean ceramics and an excellent form fo
. Soft fluttering wings. In progress.
. Most of the ceramics you see at local markets, grocery stores, or antique shops have gone through a high-temperature firing process—twice. The first round is called bisque firing, where the piece is fired without glaze. Then, after applying a
. The beauty of repetition lies in the quiet traces only the maker can leave behind.